Appendix A. Blog survey questions
Sequences of Time Arrested: the Kodachrome Toronto Registry Initiative
- Table of Contents
- Introduction. A Kodachrome eidetic
- Chapter 1. Finding Kodachrome Toronto
- Chapter 2. Finding a medium for posterity
- Chapter 3. Registry methodology
- Chapter 4. Field research findings
- Chapter 5. Discussion
- Chapter 6. Conclusion
- References: works cited
- Appendix A. Blog survey questions
- Appendix B. Sample Registry record
- Appendix C. Accession KT2011030: Harvey R. Naylor file details
- Appendix D. Index of figures
- Acknowledgements. Keeping me upright, alive and continuing
Appendix A: blog survey questions (for new collections)
- Name: ____________________
- Email: ____________________
- Web site (optional): ____________________
- In about a paragraph, what are on these slides and movies? ____________________
- Phone (optional): ____________________
- How did you hear about the Kodachrome Toronto: 1935–2010 project? ____________________
- Do you have slides or home movies which you think were made with Kodachrome film? [yes/no/unknown]
- Do you know when they were made, who made them, and roughly where in Toronto (or the GTA/Golden Horseshoe) they were shot? [yes/no/unknown]
- Are you affiliated with an institution, library, archives, repository, or the steward of a collection — either public or private? [yes/no]
- Do you want to be contacted by the Kodachrome Toronto: 1935–2010 archival project to discuss or have reviewed your Kodachrome media? This can help to improve their overall descriptions for the registry. [yes/no]
- Are you interested to have a descriptive summary added to a Kodachrome Toronto: 1935–2010 registry to help future scholars with their Toronto research? [yes/no]
- If yes, are you okay with this summary to be added to a Kodachrome Toronto: 1935–2010 online registry? (NOTE: No personally identifiable information will ever be published.) [yes/no]
- In what country is Toronto located? (this is only to make sure you’re not a computer!): [skill test answer]
Contents ©2012 Astrid Idlewild. Do not excerpt without written permission. A printed version of this SRP is filed with the Blackader-Lauterman Library of Architecture and Art at McGill University. The online version of this manuscript was edited and serialized in 2013.
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