Accozzaglia Accozzaglia

On scholarship, reconciliation, survival, and agency.

Show Navigation Hide Navigation
  • About
    • Astrid Idlewild
    • Accozzaglia blog
    • Contact
  • Urban
    • Urban design
    • Site analysis
    • Site plans
  • Oeuvre
    • Essays
    • Photography
    • Music
    • Visual design
    • Professional writing
    • Denizen.TO
  • Research
    • Public spacing
    • Illumination planning
    • Urban history
    • Kodachrome Toronto Registry
    • Womanist-informed feminism
    • ecological restoration
    • Canadian content
  • #folkslikeus
    • The Cisnormativity Project
    • Julienne Goins v. West Group fonds
    • Ententa’s Magic
    • Patience
    • Patience be.

Appendix D. Index of figures

Sequences of Time Arrested: the Kodachrome Toronto Registry Initiative

Astrid Idlewild
Friday, 4 May 2012 Sequences of Time Arrested
Part 13 of 14 in
Sequences of Time Arrested.

FIGURE 1. Irma Lee McIlroy, Corpus Christi TX, August 1942. [Kodachrome, 4 x 5in. sheet. Howard R. Hollum, FSA-OWI, Library of Congress: 1a34899].

FIGURE 2. Group of [Women] Workers Harvesting Tea. Chakva, Russia, ca. 1907–1915. [Digitally-superimposed red-green-blue glass plates. Sergei Mikhailovich Prokudin-Gorskii, Library of Congress:
LC-DIG-PPMSC-04430.]

FIGURE 3. Diagram: subtractive colour. As cyan, magenta, yellow overlap, each removes white, producing colour complements. All three make black.

FIGURE 4. Diagram: simplified cross-section of Kodachrome emulsion and its response to light, as seen from film edge [adapted from Rogers, 2007].

FIGURE 5. “Mild Curiosity”. Seattle, 2010 [Idlewild].

FIGURE 6. “Keeping Company”. Seattle, 2010. [Idlewild].

FIGURE 7. KT2011001: “An Honest Five on the Fifth”. Toronto, 2010 [Idlewild].

FIGURE 8. “Taking a Granville Standpipe”. Vancouver, 2010 [Idlewild].

FIGURE 9. Diagram: trichromacy sensitivity curves for Kodachrome (CMY) and the human eye (RGB) [parts adapted from Rogers, 2007].

FIGURE 10. Diagram: comparative sensitivity curves for Kodachrome (cyan) and the human eye (red) [parts adapted from Rogers, 2007].

FIGURE 11. Diagram: comparative sensitivity curves for Kodachrome (magenta) and the human eye (green) [parts adapted from Rogers, 2007].

FIGURE 12. Diagram: comparative sensitivity curves for Kodachrome (yellow) and the human eye (blue) [parts adapted from Rogers, 2007].

FIGURE 13. “Small Details” (10% of full size). Houston, 2010 [Idlewild].

FIGURE 14. “Small Details” (5x close-up / 50% of full size). Houston, 2010 [Idlewild].

FIGURE 15. KT2011001: “Stillwater (No Men, No Soda)”. Toronto, 2008 [Idlewild].

FIGURE 16. Typical inscriptions on Naylor’s slides (KT2011030) [Idlewild].

FIGURE 17. Cinescope view of frame from TTC reel (KT2011011), Bloor & Yonge, winter 1940 [Idlewild].

FIGURE 18. KT2011004: Kid, man, & monkey. Yonge & Dundas, ca. mid 1970s [F. Ellis Wiley / City of Toronto, f0124_fl0008_id0206].

FIGURE 19. KT2011008: House interior, pre-demolition, ca. 1971 [Robert & Harold Stacey / City of Toronto, s0008_ss0004_fl0003_id0015].

FIGURE 20. KT2011006: New suburban housing, Etobicoke, October 1966 [Township of Etobicoke /
City of Toronto, s1464_fl002_id0007].

FIGURE 21. KT2011007: Yonge Street Mall, ca. 1972 [City of Toronto, s1465_fl0312_it0003].

FIGURE 22. KT2011009: View-Master®, 1976 [GAF Corporation].

FIGURE 23. 3D polygon VR simulation, Queen’s Park, 2009 [Google Earth].

FIGURE 24. 3D polygon aerial VR simulation, Queen’s Park, 2009 [Google Earth].

FIGURE 25. KT2011004: potential “wallpaper” for Queen’s Park — for 1945 3D simulation [F. Ellis Wiley / City of Toronto, s0124_fl0001_id0012].


Contents ©2012 Astrid Idlewild. Do not excerpt without written permission. A printed version of this SRP is filed with the Blackader-Lauterman Library of Architecture and Art at McGill University. The online version of this manuscript was edited and serialized in 2013.

Series Navigation<< Appendix C. Accession KT2011030: Harvey R. Naylor file detailsAcknowledgements. Keeping me upright, alive and continuing >>

Also

  • Appendix C. Accession KT2011030: Harvey R. Naylor file detailsAppendix C. Accession KT2011030: Harvey R. Naylor file details
  • Appendix B. Sample Registry recordAppendix B. Sample Registry record
  • Introduction. A Kodachrome eideticIntroduction. A Kodachrome eidetic
  • Appendix A. Blog survey questionsAppendix A. Blog survey questions
archival science Department of Engineering Kodachrome Toronto McGill University metadata School of Urban Planning supervised research project thesis research
Accozzaglia ▸ Kodachrome Toronto ▸ Sequences of Time Arrested ▸ Appendix D. Index of figures
Article read time
About 1 minute
Sequences of Time Arrested: a Kodachrome Toronto Registry Initiative
  • Table of Contents
  • Introduction. A Kodachrome eidetic
  • Chapter 1. Finding Kodachrome Toronto
  • Chapter 2. Finding a medium for posterity
  • Chapter 3. Registry methodology
  • Chapter 4. Field research findings
  • Chapter 5. Discussion
  • Chapter 6. Conclusion
  • References: works cited
  • Appendix A. Blog survey questions
  • Appendix B. Sample Registry record
  • Appendix C. Accession KT2011030: Harvey R. Naylor file details
  • Appendix D. Index of figures
  • Acknowledgements. Keeping me upright, alive and continuing
Gatecrashing
You are not logged in.
Forgot? 
Five-to-Midnight podcasts

This work by Accozzaglia © 1980–2021. Portions ©© BY-NC-ND 3.0 Unported License, as noted. She planned, zoned, and built this website on rock ‘n’ roll.